Collectible Art and Design Books
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Storybook Apocalypse: Beasts, Comets, and Other Signs of the End Times
By Ben Marks — It’s tempting to dismiss the mid-16th-century depictions of Biblical miracles, flaming comets, multi-headed beasts, and apocalyptic chaos that fill the pages of the “Augsburg Book of Miraculous Signs” as the superstitious vestiges of the post-Medieval mind. But according to the co-authors of Taschen’s new, 568-page boxed volume called “Book of Miracles,” the Protestant citizens of Augsburg, Germany, were enthusiastic and active collectors of portrayals of portentous signs, as well as written...
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The Last Word on First Editions
By Ben Marks — Strictly speaking, a book’s edition refers to the setting of the text. So the first time you set the text and print a book with it, and then sell a bound book that you’ve just printed, that’s the first edition, first printing. If you use the same setup of text and print it again, that would be the second printing—a printing is therefore a subclass of an edition. The printing is also called the impression, as in first or second impression. In general, the first edition, first printing...
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To Catch A Thief: A Rare Book Expert on His Literary Obsessions
By Maribeth Keane and Anne Galloway — I don’t remember a time when I didn’t read books. In grade school, I devoured library books. I also loved comic books, and was wheeling and dealing them as a child—buying them for a nickel, sell them for dime. Bertrand Smith let me into the rare book room, and I bought a Maxwell Parrish "Arabian Nights." I bought an just for the illustrations. At the time I had no idea the artist was a Welsh woman named Gwynedd Hudson. Turns out she only illustrated two books—Alice and Peter Pan. I fell...