Cards
Decor
Figures
Wearables
Related
AD
X
Christmas Figurines and Figures
We are a part of eBay Affiliate Network, and if you make a purchase through the links on our site we earn affiliate commission.
The first Christmas figurines were probably nativity scenes, or "crèches," popularized in France in the Middle Ages. The French made terracotta figurines known as "santons" (or "little saints") to depict characters from the Gospel honoring the...
The first Christmas figurines were probably nativity scenes, or "crèches," popularized in France in the Middle Ages. The French made terracotta figurines known as "santons" (or "little saints") to depict characters from the Gospel honoring the birth of Jesus Christ.
In Germany, nativity, angels, or Christ-child figures would be incorporated into a "Christmas pyramids," a small wooden carousel with multiple levels and a fan on top that was propelled by lit candles. As the Erzgebirge region's industry shifted from mining to woodworking around 1800, handcrafted Christmas pyramids for holiday displays proliferated in Germany. Some say the Christmas pyramid was the predecessor of the Christmas tree, which gained wider acceptance in Germany and the United States in the early 19th century before spreading to the United Kingdom.
In 1847, glassblowers in Lauscha, in the Sonneberg region of Germany, started to make glass ornaments to replace the fruits and nuts traditionally hung on Christmas trees. In the 1870s, the shapes of these glass Lauscha ornaments became more complex, allowing for figures like Santa Claus, birds, fish, and dogs, like Queen Victoria's St. Charles Spaniel. In 1880, American businessman F.W. Woolworth started selling Lauscha ornaments in his store.
Nineteenth-century Moravians who had settled in Germany started building cardboard villages called "putzes" for the Christmas season. These included buildings, figures, and other accessories. As these Christmas villages became mass-produced from wood or cardboard in the late 1800s, the manufacturers would sell them filled with candy. Around the turn of the century, Christmas villages for Americans were also produced in Japan. The craze for dimestore Christmas villages in the United States blew up between World War I and World War II.
Also originating the late 1800s, Christmas figurines or dolls shaped like Belsnickel, the German St. Nicholas, or the American Santa Claus, were also sold filled with candy. These were often papier-mâché or composition, although they could be made of glass or tin. Once the candy was emptied, the doll-like containers could become tree ornaments, shelf displays, or toys for children.
Around the turn of the century, Germany was the center of the toy-making industry, and manufacturers, like Schildkrot and Paul Hunaeus adopted a new plastic material called celluloid to blow mold into lightweight dolls and figures, including Christmas figurines and other holiday décor. Companies across Europe, Japan, and the United States—including the Viscoloid Company of Leominster, Massachusetts—followed in their footsteps in the early 20th century making celluloid ornaments and figures generally centered on the Santa myth—Santa with a sack, Santa with a chimney, or Santa riding sleigh. But celluloid fell out of favor in the 1930s, due to its flammability.
In the 1920s, small Christmas figurines, known as "margarine figures" and made of cardboard, wood, metal, or paper, came in food packages as advertising premiums. By the early 1950s, these figurines, usually of angels, Santas, or nativity scenes, were made of a hard ivory-colored plastic, called "polystyrol."
As celluloid was discontinued in the 1930s, ceramic and glass Christmas figurines grew in popularity. The classiest porcelain Christmas figurines came from esteemed European potteries like Staffordshire's Royal Doulton or Royal Copenhagen in Denmark.
In March of 1935, Germany's Goebel pottery debuted figurines inspired by Christmas cards drawn by the Catholic nun Berta Hummel, also known as Sister Maria Innocentia. Hummel was admired for her depictions of cheerful children with large heads and big eyes. Christmas, obviously, was one of her favorite subjects. But the Nazis didn't care for her figures or her open support of Jewish people, and so they banned her artwork and shut down her convent. Hummel fell ill and died in 1944, but Goebel resumed production of her figurines starting in 1946. The last new Hummel figurines were made in 2008.
After World War II, the market for ceramic kitsch was taking off in the United States, so American artisans like Betty Lou Nichols, Hedi Schoop, and Betty Cleminson started designing cute figurines and kitchenware. However, they couldn't compete with the cheap ceramics made in Japanese factories that were imported by U.S. companies such as NAPCO, ENESCO, and Lefton. Many mid-century Christmas figurines—featuring Mr. and Mrs. Claus, reindeer, Christmas elves or pixies, angels, or kids with candy canes—bear these importers' marks. One particularly popular Lefton figurine is known as Little Miss Mistletoe.
Another beloved mid-century ceramic importer was Holt-Howard, which started out in 1949 selling Christmas décor made in the United States but eventually moved its production to Japan. Their figurines, largely drawn by Bob Howard, had an angular, Atomic Age cartoon quality to them, as they were meant to appeal to younger couples who wanted a different look from their parents' Christmas trimmings. The company made table accessories like condiment jars, decanters, spoon holders, and salt-and-pepper shakers shaped like Santas and other Christmas icons.
In the mid-century, high-end glassmakers such as Steuben, Swarovski, and those on Murano also started offering pricier and more elegant versions of standard Christmas figurines.
Continue readingThe first Christmas figurines were probably nativity scenes, or "crèches," popularized in France in the Middle Ages. The French made terracotta figurines known as "santons" (or "little saints") to depict characters from the Gospel honoring the birth of Jesus Christ.
In Germany, nativity, angels, or Christ-child figures would be incorporated into a "Christmas pyramids," a small wooden carousel with multiple levels and a fan on top that was propelled by lit candles. As the Erzgebirge region's industry shifted from mining to woodworking around 1800, handcrafted Christmas pyramids for holiday displays proliferated in Germany. Some say the Christmas pyramid was the predecessor of the Christmas tree, which gained wider acceptance in Germany and the United States in the early 19th century before spreading to the United Kingdom.
In 1847, glassblowers in Lauscha, in the Sonneberg region of Germany, started to make glass ornaments to replace the fruits and nuts traditionally hung on Christmas trees. In the 1870s, the shapes of these glass Lauscha ornaments became more complex, allowing for figures like Santa Claus, birds, fish, and dogs, like Queen Victoria's St. Charles Spaniel. In 1880, American businessman F.W. Woolworth started selling Lauscha ornaments in his store.
Nineteenth-century Moravians who had settled in Germany started building cardboard villages called "putzes" for the Christmas season. These included buildings, figures, and other accessories. As these Christmas villages became mass-produced from wood or cardboard in the late 1800s, the manufacturers would sell them filled with candy. Around the turn of the century, Christmas villages for Americans were also produced in Japan. The craze for dimestore Christmas villages in the United States blew up between World War I and World War II.
Also originating the late 1800s, Christmas figurines or dolls shaped like Belsnickel, the German St. Nicholas, or the American Santa Claus, were also sold filled...
The first Christmas figurines were probably nativity scenes, or "crèches," popularized in France in the Middle Ages. The French made terracotta figurines known as "santons" (or "little saints") to depict characters from the Gospel honoring the birth of Jesus Christ.
In Germany, nativity, angels, or Christ-child figures would be incorporated into a "Christmas pyramids," a small wooden carousel with multiple levels and a fan on top that was propelled by lit candles. As the Erzgebirge region's industry shifted from mining to woodworking around 1800, handcrafted Christmas pyramids for holiday displays proliferated in Germany. Some say the Christmas pyramid was the predecessor of the Christmas tree, which gained wider acceptance in Germany and the United States in the early 19th century before spreading to the United Kingdom.
In 1847, glassblowers in Lauscha, in the Sonneberg region of Germany, started to make glass ornaments to replace the fruits and nuts traditionally hung on Christmas trees. In the 1870s, the shapes of these glass Lauscha ornaments became more complex, allowing for figures like Santa Claus, birds, fish, and dogs, like Queen Victoria's St. Charles Spaniel. In 1880, American businessman F.W. Woolworth started selling Lauscha ornaments in his store.
Nineteenth-century Moravians who had settled in Germany started building cardboard villages called "putzes" for the Christmas season. These included buildings, figures, and other accessories. As these Christmas villages became mass-produced from wood or cardboard in the late 1800s, the manufacturers would sell them filled with candy. Around the turn of the century, Christmas villages for Americans were also produced in Japan. The craze for dimestore Christmas villages in the United States blew up between World War I and World War II.
Also originating the late 1800s, Christmas figurines or dolls shaped like Belsnickel, the German St. Nicholas, or the American Santa Claus, were also sold filled with candy. These were often papier-mâché or composition, although they could be made of glass or tin. Once the candy was emptied, the doll-like containers could become tree ornaments, shelf displays, or toys for children.
Around the turn of the century, Germany was the center of the toy-making industry, and manufacturers, like Schildkrot and Paul Hunaeus adopted a new plastic material called celluloid to blow mold into lightweight dolls and figures, including Christmas figurines and other holiday décor. Companies across Europe, Japan, and the United States—including the Viscoloid Company of Leominster, Massachusetts—followed in their footsteps in the early 20th century making celluloid ornaments and figures generally centered on the Santa myth—Santa with a sack, Santa with a chimney, or Santa riding sleigh. But celluloid fell out of favor in the 1930s, due to its flammability.
In the 1920s, small Christmas figurines, known as "margarine figures" and made of cardboard, wood, metal, or paper, came in food packages as advertising premiums. By the early 1950s, these figurines, usually of angels, Santas, or nativity scenes, were made of a hard ivory-colored plastic, called "polystyrol."
As celluloid was discontinued in the 1930s, ceramic and glass Christmas figurines grew in popularity. The classiest porcelain Christmas figurines came from esteemed European potteries like Staffordshire's Royal Doulton or Royal Copenhagen in Denmark.
In March of 1935, Germany's Goebel pottery debuted figurines inspired by Christmas cards drawn by the Catholic nun Berta Hummel, also known as Sister Maria Innocentia. Hummel was admired for her depictions of cheerful children with large heads and big eyes. Christmas, obviously, was one of her favorite subjects. But the Nazis didn't care for her figures or her open support of Jewish people, and so they banned her artwork and shut down her convent. Hummel fell ill and died in 1944, but Goebel resumed production of her figurines starting in 1946. The last new Hummel figurines were made in 2008.
After World War II, the market for ceramic kitsch was taking off in the United States, so American artisans like Betty Lou Nichols, Hedi Schoop, and Betty Cleminson started designing cute figurines and kitchenware. However, they couldn't compete with the cheap ceramics made in Japanese factories that were imported by U.S. companies such as NAPCO, ENESCO, and Lefton. Many mid-century Christmas figurines—featuring Mr. and Mrs. Claus, reindeer, Christmas elves or pixies, angels, or kids with candy canes—bear these importers' marks. One particularly popular Lefton figurine is known as Little Miss Mistletoe.
Another beloved mid-century ceramic importer was Holt-Howard, which started out in 1949 selling Christmas décor made in the United States but eventually moved its production to Japan. Their figurines, largely drawn by Bob Howard, had an angular, Atomic Age cartoon quality to them, as they were meant to appeal to younger couples who wanted a different look from their parents' Christmas trimmings. The company made table accessories like condiment jars, decanters, spoon holders, and salt-and-pepper shakers shaped like Santas and other Christmas icons.
In the mid-century, high-end glassmakers such as Steuben, Swarovski, and those on Murano also started offering pricier and more elegant versions of standard Christmas figurines.
Continue readingBest of the Web
Bohemian Christmas Decorations
This simple site showcases over 500 artistic Gablonz glass bead antique and vintage Christmas...
Old Soviet Christmas Cards
This site showcases over 1000 old Soviet Christmas and New Years cards from 1950 to 1990. Browse...
Most Watched
ADX
Best of the Web
Bohemian Christmas Decorations
This simple site showcases over 500 artistic Gablonz glass bead antique and vintage Christmas...
Old Soviet Christmas Cards
This site showcases over 1000 old Soviet Christmas and New Years cards from 1950 to 1990. Browse...
ADX
AD
X