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Recent Activity1 of 1097Antique  primitive Brass vase with dragonMade in Japan Vase - Probably Noritake 20s-30s
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    Posted 10 months ago

    longfieldh…
    (3 items)

    Hello,
    I work for a charity shop, and we've had this vase donated. If anybody can give me any information about this, I'd highly appreciate it :)
    Thanks so much!

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    Comments

    1. apostata apostata, 10 months ago
      f.,, , i lost all my text , which was an awfull lot , even the satsuma database could,not break the kiln , we do it on characteristics , part by part , no sweat
    2. apostata apostata, 10 months ago
      reverse bottom --- crackle glaze

      cikel in the mark with cross in it=Shimazu Mon

      The Shimazu mon:
      SHIMAZU?? is the name of the clan, family that ruled the
      Satsuma province and the family crest, the Mon, is a cross
      with a circle. The weapon is almost always, not always, placed
      above the whole. Ryozan, for example, places it under the
      cartouche. Permisson to use the family crest of the Shimazu
      family on pottery, was a form of appreciation and
      encouragement that the Daimyo could attribute to the potter
      and for pieces that he liked very well. This weapon is then
      always painted in (gosu) blue. After the shogunate
      disintegrated and, consequently, no relation exist anylonger
      between the production of pottery and the daimyo, the
      weapon was frequently used as a “trademark”, regardless of
      its origin and merely as an indication that it is a “satsumalike” product. A mon that is depicted in black, gold or red
      therefore has no relationship with the Shimazu family and
      always dates from a period after Edo. Authentic relationship
      with the Shimazu clan is always in gosu-blue, not in other
      colours, including cobalt blue and it’s always dating before
      Meiji-period. However, that does not mean that all gosu blue
      mons actually have that authentic relationship, in some cases
      they date from the early Meiji period, sometimes even
    3. apostata apostata, 10 months ago
      reverse kiln on bottom , unknown not even to break with 2 databases, probably made a mistake

      typE, japanese SATSUMA

      substantiation- Gotheborg - com Glossarium, DO THAT !! because there is a picture of RAKANS = ARHATS on it , see the NIMBUS

      what are ARHATS + RAKANS= individuals who have fully understood Buddha's teachings and achieved enlightenment.

      who is the woman , probably wrong assesment because the head is off

      In depictions of Rakan Kannon, Kannon Bodhisattva is often depicted next to Arhats, sitting or standing. This representation symbolizes Kannon's compassion and saving power, working with the Arhats to save sentient beings. Rakan Kannon is especially revered in Zen Buddhism, but also in Japanese Pure Land Buddhism,

      THIS IS UNSURE
    4. apostata apostata, 10 months ago
      application, slight MORIAGE=L = raised enamel , see pointtitlism in the dragontail

      dating highly likely LATE MEIJJIi Meiji period (1868-1912)otherwise very early TAISHO 1912-1926
    5. apostata apostata, 10 months ago
      condition = good

      modus probablity expected value 79 euro
      THIS IS NOT THE ASKING PRICE !!!!!!!

      assesed because it is for charity , so i broke the rules
    6. apostata apostata, 10 months ago
      the woman could be a megami = female godess
    7. longfieldhospice longfieldhospice, 10 months ago
      Thank you so much apostata for all the information! I was hoping I'd be able to get some info about the story behind the design, so thank you for everything you wrote! I've popped it on eBay, and I've shot for the stars value-wise as I couldn't find anything like it on eBay at the moment or anything on eBay in the past. Wish me luck, and once again, thank you!
    8. apostata apostata, 10 months ago
      you have to read dharma protectors (rakana)
    9. apostata apostata, 10 months ago
      i knew it something 5 years this is a source for the mounting, different maker

      JAPANESE SATSUMA VASE, SIGNED TAMARU-NI, 19TH CENTURY

      POTOMAC COMPANY

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